: Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books. Check out Kent Kennan: Sonata for Trumpet and Piano: II. Rather Slowly and With Freedom by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas.

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The main motive that was kenjan in the first movement appears frequently in this theme Dearden Dearden, Jennifer Lorien This entry was posted on Thursday, April 30th, at 3: All of the themes from the exposition are written in the recapitulation Dearden Frumpet, Anne Kovarik This melody has some occurrences of the main motive that begins the first movement: This movement also has a short closing theme Dearden University of Maryland, This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara This motive will be repeated in many different ways throughout the course of the entire piece Dearden A four-measure transition that is based on the main motive of the entire piece follows Dearden This theme is only in the piano part Dearden Notify me of new comments via email.


This site uses cookies. He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara Email required Address never made public.

This piece is difficult in many ways. The first theme is very rhythmic and separated Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The development begins after a short transition from the exposition Dearden Create a free sojata or blog at WordPress.

He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden You can follow any responses to this entry through the RSS 2. They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden Fill in your details below or click an icon to log knnan It is also the only theme zonata stays centered around a tonic in the entire movement Dearden It returns to the original tempo trumpwt centers around E-flat once again Dearden The secondary theme is lyrical, with no fanfares, and in minor Sonaa The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden Works Cited Dearden, Jennifer Lorien Rrumpet wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The American Trumpet Sonata in the s: Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly Kennah All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden You are commenting using your WordPress.


The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden The first theme is played by the trumpet and is muted Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden By continuing to use this website, you agree to their use.